Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

25 September, 2013

Punch-Drunk and in a Funk: 'Crux' by Ramez Naam

The year is 2040, and the latest drug to hit the streets is Nexus, a bionic enhancement that allows human brains to network like computers. Kade, Rangan, Ilya and Watson are the geniuses behind the newest upgrade, and they're living like kings-- until a secret branch of the government sends an agent to shut them down. You can read all about that in Nexus, the first book in Ramez Naam's cyberpunk trilogy; this review deals with the sequel, Crux, which finds two of our hacker friends dead, one imprisoned, the other on the run for his life, and the government agent who started it all working against her former employer just as hard as the hackers she once tried to subdue. Throw in a few guys with ties to shady government agencies, some terrorists, some freedom fighters, and some people who are some or all of those things at once, and you've got a recipe for a whirlwind of a book that, unfortunately, came out sort of half-baked.

30 November, 2011

'Embassytown' by China Mieville

If you're a big enough geek to think about the ethics of the Prime Directive outside of the times they actually discuss it on Star Trek, AND to wonder how that principle relates to breaching the language barrier once you have actually made contact with an alien species, you might come close to understanding how China Miéville came up with the premise of Embassytown.

Others (including the inimitable Ursula K. LeGuin) have already written detailed and thought-provoking reviews of this book, so I'll try not to reinvent the wheel here. But I will say that for me, I loved this book in spite of its flaws, because it's a spectacular piece of genre fiction that is no less literature for its being housed in the construct of sci-fi. Miéville has become known for sampling classic genres and giving them his own New Weird spin, and he's done it again here. This reads like a classic piece of science fiction writing, recognizable in form, yet entirely Miéville's own. And, fitting to the running message of the book, it is the language of it that makes it not only a brilliant meld of the classic and the modern, but a truly compelling and emotive story.